Multi-gen: “Everything Everywhere All At Once”
“Everything Everywhere All At Once” is a silly, sloppy yet strangely affecting multiverse action comedy energized by Michelle Yeoh’s performance.
“Everything Everywhere All At Once” is a silly, sloppy yet strangely affecting multiverse action comedy energized by Michelle Yeoh’s performance.
“Inventing Anna” plays fast and fun with the real-life story of scammer extraordinaire Anna Sorokin, but is there a point behind the hijinks?
Amazon’s first season of “Reacher” is a creditable stab at presenting the hard-boiled hero from Lee Child’s novels.
When it comes to cynical, tawdry and twisted highway noir, few can match one of the earliest entries in the genre, “Detour.”
“The Matrix: Resurrections” functions better as a meta-commentary on the franchise (and Lana Wachowski’s mind) than as an actual entry in the franchise.
Ho Lin and the Big Movie Genius take a whirlwind tour of the “Halloween” movie franchise, including a look at the latest entry, “Halloween Kills.”
“Dune” is an ambitious retelling of Frank Herbert’s sci-fi classic, but does it honor its author’s weirded-out visions?
Of all of David Lynch’s twisted puzzle-box movies, “Mulholland Dr.” is the most inviting, and cuts the deepest.
To honor Daniel Craig, the first James Bond with a true history, “No Time to Die” dares to provide an ending to his tale.
Apple’s version of Isaac Asimov’s “Foundation” takes some major liberties with the souce material — but do Asimov’s big ideas live on?