Turning Japanese: “Lost in Translation,” “Kill Bill Vol. 1” and “The Last Samurai”
We take a look back at the Japan-crazy films of 2003: “Lost in Translation,” “Kill Bill Vol. 1” and “The Last Samurai.”
We take a look back at the Japan-crazy films of 2003: “Lost in Translation,” “Kill Bill Vol. 1” and “The Last Samurai.”
If James Bond was at the forefront of the Swinging Sixties, then perhaps it’s fitting that 1967’s “Casino Royale” heralds the era’s crash landing.
Ana Lily Amirpour’s genre-bending “A Girl Walks Home Alone at Night” is an unpredictable, punky, hypnotic take on vampire movies.
Once a Thief (1965, Dir. Ralph Nelson): The opening of Once a
Purple Rain (1984, Dir. Albert Magnoli): Now that we’re just beginning to
Die Another Day (2002, Dir. Lee Tamahori): For this review, we’re changing
The World Is Not Enough (1999, Dir. Michael Apted): ‘My father came
“Tomorrow Never Dies,” Pierce Brosnan’s second outing as 007, is a perpetual action machine that occasionally remembers it’s a Bond movie.
GoldenEye (1995, Dir. Martin Campbell): When I started to write these books
Licence to Kill (1989, Dir. John Glen): There was the shape of