Games Afoot: “Enola Holmes”
“Enola Holmes” is a half-clever take on the Sherlock Holmes mythos that benefits from Millie Bobby Brown’s vivacious performance.
“Enola Holmes” is a half-clever take on the Sherlock Holmes mythos that benefits from Millie Bobby Brown’s vivacious performance.
The mind-bending sci-fi thriller “Tenet” is an unfettered, unfiltered dose of Christopher Nolan, with all the pros and cons you might expect.
Ho Lin provides a capsule-review rundown of the nine movies nominated for Best Picture at the 2020 Oscars.
One can practically smell the flop sweat on “The Rise of Skywalker” as it attempts to stick the landing on Disney’s Star Wars trilogy.
Rian Johnson’s “Knives Out” honors the conventions of the murder mystery genre, even as it serves as a welcome change of pace from his previous work.
James Gray’s “Ad Astra” is a character study masquerading as a solar system-spanning adventure, taking its cue from “Heart of Darkness.”
Quentin Tarantino’s tribute to the dream factory that is Hollywood is perversely the most naturalistic film he’s made in decades.
Ho Lin chats with entertainment editor and music industry veteran James Barber about Quentin Tarantino’s career before breaking down his latest opus.
“Spider-Man: Far from Home” has a lot to do in the wake of Marvel’s last Avengers movie, but does the film suit Spider-Man’s everyman angst?
Ruminative rather than showy, Joe Talbot’s “The Last Black Man in San Francisco” is both a love letter and lament for black lives in a gentrifying town.