Split Personality: “Malignant”
James Wan’s “Malignant” finds him returning to horror filmmaking—with some surreal twists, and even full-blown action scenes.
James Wan’s “Malignant” finds him returning to horror filmmaking—with some surreal twists, and even full-blown action scenes.
Marvel’s Asian-influenced “Shang Chi” shows how you can liven up a long-running movie franchise with an injection of cultural context.
“Reminiscence” follows the outline of a Nolan brothers movie, but does Lisa Joy’s directorial debut stand on its own?
“Gunpowder Milkshake” knows its action movie clichés — but apart from its formidable cast, does it have any originality up its sleeve?
Is “Black Widow” about giving an overlooked character her due, or is it really about propping up a new, younger successor?
The funny, touching “Another Round” is a rueful look at middle age and an ode to kicking back with a drink.
Chloé Zhao’s “Nomadland” is a poetic investigation of landscapes and faces, a road movie without a destination in mind.
“Soul” is another brain-spinning Pixar feature that wants to get playful with animation while tackling some Very Big Ideas.
In content and style, “Wonder Woman 1984” is a throwback to ’80s cinema — but does it stack up to its predecessor?
“Antebellum” offers a fraught premise that moves from Civil War-era slavery to modern-day racial debate.